
Oggi, domani, dopodomani (1965) on Netflix
Oggi, domani, dopodomani (1965) is a comedy film from France and Italy directed by Eduardo De Filippo. It runs 95 minutes. Cast, ratings and stills, plus where to watch it.
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- Netflix3.1/5
- IMDb6.2/10388 votes
- Rotten TomatoesNot available
Cast
Marcello Mastroiannias Mario / Michele Profili / Mario Gasparri
Catherine Spaakas Giovanna
Virna Lisias Dorotea
Luciano Salceas Arturo Rossi
Pamela Tiffinas Pepita
Marco Ferrerias (segment "L'uomo dei 5 palloni") (uncredited)
Ugo Tognazzias Man With Car (segment "L'uomo dei 5 palloni") (uncredited)
Raimondo Vianelloas Commissario (segment "La moglie bionda")
- Sarah Rossas (segment "L'uomo dei 5 palloni")
Gian Luigi Polidoroas segment "L'uomo dei 5 palloni")
Giuseppe Marroccoas Man in Airport (segment "L'ora di punta")
Lelio Luttazzias Rastrelli (segment "La moglie bionda")
Show all 18 cast
Enzo La Torreas (segment "La moglie bionda")
- Charlotte Folcheras (segment "L'uomo dei 5 palloni")
- Antonio Cianias (segment "La moglie bionda")
William Bergeras Benny (segment "L'uomo dei 5 palloni")
Ennio Balboas Brother of Mohamed (segment "L'uomo dei 5 palloni")
Antonio Altovitias (segment "L'uomo dei 5 palloni")
Did you know?!Facts and trivia about Oggi, domani, dopodomani (1965)
Can contain spoilers, watch the movie first.
- Carlo Ponti produced the film to salvage Marco Ferreri's feature L'uomo dai 5 palloni ('The man with five balls'), starring Marcello Mastroianni, which had been deemed unreleasable: he recut it into one segment of an anthology and shot two new episodes around it, still with Mastroianni as the lead.
- Sue Lyon was the first choice to play Pepita in the segment "La moglie bionda", but she could not take the part because her producer, Ray Stark, refused to grant permission.
- When Carlo Ponti recut the film for its 1967 U.S. release, removing Marco Ferreri's segment and extending Luciano Salce's segment with newly shot material, Eduardo De Filippo, Virna Lisi and screenwriter Isabella Quarantotti protested and asked for their names to be removed from the credits.
- Joseph E. Levine's Embassy Pictures was to release the film in the United States as Paranoia in 1966, but Levine withdrew, reportedly because Ponti reneged on delivering a Sophia Loren film; the two sides then filed lawsuits against each other that were settled out of court.




















