
The Other Love (1947) on Netflix
Approved19471h 35mDramaRomance
Karen Duncan, gravely ill with a lung condition, checks into a Swiss sanatorium under Dr. Tony Stanton, whose stern manner she resents. Auto racer Paul Clermont invites her to Monte Carlo.
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- Netflix3.1/5
- IMDb6.1/101,084 votes
- Rotten TomatoesNot available
Plot summary
Karen Duncan plays the piano for a living, and a lung condition has brought her to a sanatorium in Switzerland, where Dr. Tony Stanton directs her treatment and she bristles at his severity. He tells her that complete rest is the only thing standing between her and a fatal outcome. Against his instructions, she and a fellow patient, Celestine Miller, spend a day off the grounds and an evening out. Karen meets Paul Clermont, an auto racer, who invites her to Monte Carlo. She is drawn to Tony, but he seems to care only about her health, so she accepts and gambles, smokes and drinks.
Cast
Barbara Stanwyckas Karen Duncan
David Nivenas Dr. Anthony Stanton
Richard Conteas Paul Clermont
Gilbert Rolandas Croupier
Joan Lorringas Celestine Miller
Lenore Aubertas Yvonne Dupré
Maria Palmeras Huberta
Natalie Schaferas Dora Shelton
Edward Ashleyas Richard Shelton
Richard Haleas Professor Linnaker
Mary Fieldas Nurse (uncredited)
John Indrisanoas Party Guest (uncredited)
Show all 20 cast
- Brandon Beachas Restaurant Patron(uncredited)
Edward Bibyas Casino Patron(uncredited)
Paul Bradleyas Casino Patron(uncredited)
- Ralph Brooksas Roulette Player(uncredited)
Steve Carruthersas Casino Patron(uncredited)
Ann Codeeas The Florist(uncredited)
- Oliver Crossas Townsman(uncredited)
- Barbara Drakeas Woman(uncredited)
Did you know?!Facts and trivia about The Other Love (1947)
Can contain spoilers, watch the movie first.
- Producer David Lewis said Barbara Stanwyck was "letter perfect" on the set of The Other Love while others were not, and that this led him to replace Robert Stack with Richard Conte in the film's third lead.
- During production, Barbara Stanwyck had a habit of cutting her dialogue down to its essential elements; David Lewis said this badly hurt the work of Harry Brown, who had worked on the script's dialogue and needed a certain rhythm for best effect.




















