
Renaissance: A Film by Beyoncé (2023) on Netflix
Beyoncé takes her album Renaissance on a stadium tour through Europe and North America. The film follows the planning and the performances, with her family appearing alongside her.
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- Netflix4.6/5
- IMDb8.5/103,884 votes
- Rotten Tomatoes98%
Trailer
Plot summary
The film follows the Renaissance World Tour, staged for Beyoncé's seventh studio album, from its development to the stadium shows across Europe and North America, from the opening date in Stockholm, Sweden, to the closing date in Kansas City, Missouri. It shows the making of the album Renaissance and the production of the tour, with Beyoncé involved at every stage. Her husband Jay-Z, her parents and her children Blue Ivy, Rumi and Sir Carter appear, as does her cousin Angela Beyincé. Musical performances bring in Diana Ross, Megan Thee Stallion and Kendrick Lamar, and Kelly Rowland, Michelle Williams, LaTavia Roberson and LeToya Luckett of Destiny's Child appear briefly.
Cast
Beyoncé Knowlesas Self
Jay Zas Self
Blue Ivy Carteras Self
- Sir Carteras Self
- Rumi Carteras Self
Kendrick Lamaras Self
Tina Knowlesas Self
Larry Bourgeoisas Self - Les Twins
Laurent Bourgeoisas Self - Les Twins
- Honey Balenciagaas Self - The Dolls
- Jonté Moaningas Self - The Dolls
- Darius Hickmanas Self - The Dolls
Did you know?!Facts and trivia about Renaissance: A Film by Beyoncé (2023)
Can contain spoilers, watch the movie first.
- Renaissance: A Film by Beyoncé was auctioned to major studios and streaming platforms, but Beyoncé instead chose the "unconventional deal template forged by AMC and Taylor Swift", taking over 50 percent of the box office gross.
- Variety reported that the film would have an "ambitious scope", covering tour highlights, the Renaissance visual album and documentary footage of the album and tour, but only the tour made the final cut.
- Beyoncé's film was released on December 1, 2023, World AIDS Day, because the album behind it is dedicated to her uncle, who introduced her to Black dance music and ball culture and died during the AIDS epidemic.
- The Sydney Morning Herald credited the film with a revival of concert films, and The Times called it "the future of live music", aiding both the UK's live music industry and its film industry.
























