
Girls Like Girls (2026) on Netflix
After her mother's death, 17-year-old Coley goes to rural Oregon to live with the father she barely knows. She becomes close to Sonya, but Sonya pulls away after they kiss.
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- Netflix3.8/5
- IMDb6.4/103,223 votes
- Rotten Tomatoes87%
Trailer
Plot summary
Seventeen-year-old Coley moves to rural Oregon to live with Curtis, the father she has barely known. At a restaurant, Sonya asks her to join a group of friends. When Trenton throws Coley into a lake, Sonya apologizes and shares her AIM ID. The following day, the two steal alcohol and go to Sonya's home, where Sonya performs a dance. As the friendship deepens, Trenton grows possessive and hostile. Sonya brings Coley to a spot near railroad tracks. There, Coley says that Curtis left when she was little and that her mother took her own life. Sonya comforts her; they kiss and sleep side by side. In the morning, Sonya hurries away and does not answer Coley's messages.
Cast
Did you know?!Facts and trivia about Girls Like Girls (2026)
Can contain spoilers, watch the movie first.
- Coley's bedroom was the hardest interior to light: an A-frame whose highest point was only about five feet and whose walls were glossy wood from floor to ceiling. Tungsten was a fire hazard, so Arri Orbiters with projection optics were used to keep the fixtures cool.
- Cinematographer Sonja Tsypin, production designer Lindsey Moran and costume designer Kelli Dunsmore limited the film to "off-wheel" colors, such as periwinkle instead of purple and salmon instead of pink, and plotted the palette as a sine wave that tracked Coley's story from warm golds into jewel tones and muted steel blue.
- The film was shot on an Arri Alexa Mini LF with Canon K35 primes, picked by cinematographer Sonja Tsypin for warmth, halation and flares that avoided a sterile digital image, plus one Arri Signature Prime for a few moments that needed higher detail.
- Cinematographer Sonja Tsypin kept the 2015 Girls Like Girls music video's sun-drenched warmth and intimate camera, but the feature needed a wider palette and more contrast so the look could cover grief as well as first love.



































