
Love Story 2050 (2008) on Netflix
Karan goes by no rules and Sana by all of them, and they fall in love. His uncle's time machine finally works, and Sana wants to travel ahead to Mumbai in 2050.
- Netflix2.9/5
- IMDb2.7/102,844 votes
- Rotten TomatoesNot available
Trailer
Plot summary
Karan Malhotra is a spirited, happy-go-lucky young man, and Sana is sweet and shy; the two fall in love. Sana dreams of seeing Mumbai as it will be in the year 2050, and Karan's uncle, the scientist Dr. Yatinder Khanna, has spent fifteen years building a machine that can take her there. An accident takes Sana's life before the wedding, leaving Karan determined to find her. He travels with Dr. Yatinder and Sana's younger siblings, Rahul and Thea, and the machine sets them down in Mumbai in 2050, a city of flying cars, holograms, robots, sky rails and 200-story towers.
Cast
Harman Bawejaas Karan Malhotra
Priyanka Chopraas Sana Bedi / Zeisha
Boman Iranias Professor Yatin 'Uncle Ya' Khanna
Archana Puran Singhas Mrs. Bedi
Kurush Debooas Hacker Jimmy Dhinchuck
- Matt Connellyas Tough Guy
- Matt Deanas Tough Guy
- Leah Marie Eastas Pedestrian
- Candida Fernadiesas (as Candida Fernandies)
- Felix Harris-Evansas Bodygaurd
- Hartley Jacksonas Tough Guy
- Karan Veer Mehraas (as Karan Mehra)
Show all 14 cast
Did you know?!Facts and trivia about Love Story 2050 (2008)
Can contain spoilers, watch the movie first.
- Kareena Kapoor was the first actress signed to play the female lead of Love Story 2050 when it was announced in 2004, reportedly paid ₹3 crores, but she opted out in 2006 over date and scheduling issues and Priyanka Chopra replaced her.
- Love Story 2050 was Hindi cinema's first attempt at a utopian futuristic film and had 1200 special effect shots; its ₹60 crore production budget was called an extremely high gamble and risk for a new genre at the time.
- Priyanka Chopra played a dual role in Love Story 2050 and had to colour her hair twice, red to portray the girl from the future and then black. The red-haired look was inspired by a painting of the director's sister picturing women of today and tomorrow.
















