
My American Uncle (1980) on Netflix
A scientist sets out his ideas on behavior through three lives. René Ragueneau works at a textile factory, Janine Garnier is a fashion adviser, and Jean Le Gall is in politics.
- Netflix4.1/5
- IMDb7.6/107,443 votes
- Rotten Tomatoes86%
Trailer
Plot summary
A scientist introduces the physiology of the brain and sketches his own background, and the stories of three fictional characters unfold beside his account. Jean Le Gall comes from a comfortable middle-class family on a Breton island in the gulf of Morbihan and goes into radio and politics. Janine Garnier grows up with left-wing working-class parents in Paris, leaves home to act, and later works as a fashion adviser. René Ragueneau turns from his farming family's old-fashioned ways in Torfou and takes an executive post at a textile factory in Lille.
Cast
Gérard Depardieuas René Ragueneau
Nicole Garciaas Janine Garnier
Roger Pierreas Jean Le Gall
Nelly Borgeaudas Arlette Le Gall
Pierre Arditias Zambeaux, le représentant de la direction générale à Paris
Gérard Darrieuas Léon Veestrate
Philippe Laudenbachas Michel Aubert
Marie Duboisas Thérèse Ragueneau
Henri Laboritas Self
- Bernard Malaterreas Le père de Jean
Laurence Royas La mère de Jean
Alexandre Rignaultas Le grand-père de Jean
Did you know?!Facts and trivia about My American Uncle (1980)
Can contain spoilers, watch the movie first.
- Alain Resnais first met Henri Laborit, the surgeon and neurobiologist, when Laborit — an admirer of Resnais's Last Year at Marienbad — asked him to make a short documentary about a memory-enhancing drug for a pharmaceutical laboratory. That film was never financed, but the two men decided to try a feature mixing documentary and fiction.
- The epilogue ends with the camera creeping towards Alan Sonfist's mural The American Forest on a half-demolished Bronx building until the image disintegrates into fragments of paint on a single brick. Resnais said he wanted to show the brain's impossibility of understanding things completely.
- The budget was too small for extensive studio filming, so Alain Resnais used existing locations that were often completely transformed — a bank was turned into the broadcasting offices.
- Resnais shot the three fictional stories in advance and separately from Henri Laborit's contributions, not yet knowing what Laborit would say; some very long shots were filmed so that Laborit's words could be added later.























