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Jailhouse Rock (1957) on Netflix

NR19571h 36mDramaMusicMusical

Vince Everett accidentally kills a man in a barroom brawl he did not start and is sentenced for manslaughter. His cellmate Hunk Houghton teaches him guitar and proposes they become partners.

  • Netflix3.4/5
  • IMDb6.5/1010,895 votes
  • Rotten Tomatoes67%

Trailer

Plot summary

Vince Everett works in construction, and a fight in a bar leaves a man dead and Vince sentenced to the state penitentiary for manslaughter. His cellmate Hunk Houghton, a country singer past his prime, shows him guitar chords and gets him a spot on an inmate show carried on national television. Fan letters follow, and Hunk talks him into signing a pact to share the act once both are out. Paroled after fourteen months, Vince takes Hunk's promise of work at a friend's nightclub, but the owner will only hire him as a bar boy. There he meets Peggy Van Alden, who promotes the pop singer Mickey Alba. When the house band rests, Vince takes the stage, a customer laughs at him, and he smashes his guitar and leaves.

Cast

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Did you know?!Facts and trivia about Jailhouse Rock (1957)

Can contain spoilers, watch the movie first.

  • The release was somewhat overshadowed by the tragic highway death of leading lady Judy Tyler shortly after the film's completion; Presley reportedly was so devastated by Tyler's death that he never watched the film or discussed it.
  • When there was no material to show, Jean Aberbach of the Hill & Range music publishing company locked the songwriters in their hotel room until they had written songs; four hours later Leiber and Stoller had written "I Want to Be Free", "Treat Me Nice", "(You're So Square) Baby I Don't Care", and "Jailhouse Rock".
  • During the performance, one of Presley's dental caps detached and became lodged in his lung, and he spent a night in the hospital before filming resumed the next day.
  • The film was not listed with the studio's planned releases for the year because it was based on a story by Nedrick Young, a blacklisted writer.
  • Presley was not initially pleased with the direction of choreographer Alex Romero, so Romero asked Presley to try his own moves for the final sequence; the scene has often been cited as Presley's greatest musical moment on screen.
  • Leiber and Stoller were invited to the recording session of April 30, where they met Presley, who then convinced MGM to cast Stoller as the band's pianist in the film.

Stills

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