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The Stendhal Syndrome (1996) on Netflix

NR19961h 59mHorrorMysteryThriller

Detective Anna Manni travels from Rome to Florence to track a serial rapist and killer. Paintings overwhelm Anna, who has Stendhal syndrome. The killer learns of her condition.

  • Netflix3.3/5
  • IMDb6.0/1010,068 votes
  • Rotten Tomatoes70%

Trailer

Plot summary

Anna Manni is a police detective in Rome, sent by Inspector Manetti to Florence to pursue Alfredo Grossi, a serial rapist and murderer. The assignment includes working out why three of his victims in Florence were left alive. Anna has Stendhal syndrome, a psychosomatic disorder that brings dizziness and hallucinations when she looks at paintings and other artistic masterpieces. In a museum in Florence the art overcomes her. Alfredo learns of her condition and uses it against her, luring her into a trap inside the Uffizi museum. Her colleague Marco Longhi and his team keep her under their protection, and she has sessions with the psychiatrist Dr. Cavanna.

Cast

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Did you know?!Facts and trivia about The Stendhal Syndrome (1996)

Can contain spoilers, watch the movie first.

  • Bridget Fonda was set to play Detective Anna Manni but dropped out before production began, and Jennifer Jason Leigh was considered as a replacement before Dario Argento cast his own daughter, Asia Argento, in the role.
  • The film's opening scene was shot inside Florence's Uffizi Gallery, and Dario Argento is the only director ever granted permission to film there.
  • Dario Argento said he experienced Stendhal syndrome as a child: while touring Athens with his parents he was climbing the steps of the Parthenon when a trance left him lost from them for hours.
  • The grouper Anna kisses in the underwater footage was a remote model pulled through the sea by cables attached to a small float on the surface, and it stopped working moments after the shoot wrapped.
  • For the UK release, the distributor made eleven cuts totalling 2 minutes 47 seconds to rape scenes, violence and dialogue before submitting to the BBFC, and the uncut version was withdrawn because it had never been classified.
  • Thomas Kretschmann was cast as Alfredo Grossi because he had worked with Asia Argento on La Reine Margot (1994) and she recommended him to her father, Dario Argento.
  • The film was the last fiction feature for cinematographer Giuseppe Rotunno, who shot a documentary on Marcello Mastroianni the following year before retiring.

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