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Marie Antoinette (2006) [Blu-ray]
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Marie Antoinette | — | — |
Purchase options and add-ons
Genre | Drama, Documentary/Biography |
Format | Blu-ray |
Contributor | Judy Davis, Sofia Coppola, Kirsten Dunst, Jason Schwartzmann |
Language | English |
Runtime | 2 hours and 3 minutes |
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Product Description
Written and directed by Academy Award winner Sofia Coppola (2003, Best Writing, Lost In Translation), Marie Antoinette is an electrifying yet intimate re-telling of the turbulent life of history's favorite villainess. Kirsten Dunst portrays the ill-fated child princess who married France's young and indifferent King Louis XVI (Jason Schwartzman). Feeling isolated in a royal court rife with scandal and intrigue, Marie Antoinette defied both royalty and commoner by living like a rock star, which served only to seal her fate.
Product details
- Aspect Ratio : 1.33:1
- MPAA rating : PG-13 (Parents Strongly Cautioned)
- Product Dimensions : 6.75 x 5.5 x 0.5 inches; 2.08 ounces
- Item model number : 043396490789
- Director : Sofia Coppola
- Media Format : Blu-ray
- Run time : 2 hours and 3 minutes
- Release date : October 6, 2016
- Actors : Kirsten Dunst, Jason Schwartzmann, Judy Davis
- Studio : SPE
- ASIN : B01LTHKNQ8
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #13,396 in Movies & TV (See Top 100 in Movies & TV)
- #1,390 in Drama Blu-ray Discs
- Customer Reviews:
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Top reviews
Top reviews from the United States
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I've heard many criticisms of this film, so I'll attempt to address them.
Criticism #1: Not every detail in her life is shown.
...such as the Affair of the Diamond Necklace incident, her imprisonment, and subsequent execution, though once again, this is NOT a BBC miniseries or History Channel biography. Sofia Coppola herself has stated in numerous interviews that she was never trying to make a historical biopic.
As Roger Ebert brilliantly put it: "No, the picture is not informative and detailed about the actual politics of the period. That is because we are entirely within Marie's world. And it is contained within Versailles, which shuts out all external reality. It is a self-governing architectural island, like Kane's Xanadu, that shuts out politics, reality, poverty, society."
Criticism #2: None of their accents are the same/ Why aren't they speaking like Hugh Grant?/ Ew they are using American accents!
I don't really know what accent people assume they're supposed to adopt, a stereotypical posh English accent? That would have been just as inaccurate, for the majority would have spoken French at court. Might as well let the actors keep their natural accents, for then the audience won't get distracted by attempts that fall short. And really, one can argue that the differences in their English-speaking accents could translate well for differences in French accents, since English is standing in for French.
Criticism #3: Modern music is used.
The most popular criticism I've heard is over the use of modern music, though this is probably what really made me love the film. Sofia Coppola was trying to capture a teenager's world and feelings, and I think she hit the perfect note. Some feel that this made it too catered (or even dumbed down) for the younger audience, but really, what's wrong with making a connection to that particular age group? This is, after all, a film about a teenager. A teenager from the 18th century born into royalty who lived a life of wealth, privilege and influence, yes, but a teenager nonetheless.
Roger Ebert continued to say in his review: "Coppola has been criticized in some circles for her use of a contemporary pop overlay -- hit songs, incongruous dialogue, jarring intrusions of the Now upon the Then. But no one ever lives as Then; it is always Now. Many characters in historical films seem somehow aware that they are living in the past. Marie seems to think she is a teenager living in the present, which of course she is -- and the contemporary pop references invite the audience to share her present with ours."
Criticism #4: It's boring.
Well, go watch Transformers then. If you were bored through this, then period pieces in general must not be your thing. I don't think your dislike has anything to do with Coppola's direction then.
Seriously though, this whole movie was such lovely eye candy; so full of color and life. I could go on and on about the clothes and locations and flowers and pastries and champagne featured throughout. It's very aesthetically-pleasing. Coppola perfectly captured the youthfulness and decadence, as well as the gossiping, sycophantic society of that era, and managed to make it accessible and pleasurable to watch. I think Marie Antoinette would have approved.
Another thing that she, and in turn the brilliant Kirsten Dunst portrayed, is getting me to see past the masses of sugar coated pastels that were all the rage at the time and allow me to see a deep and complex vulnerability. After watching the movie for a second time I started to do some reading on the the ill-fated queen - her story, despite it's excesses and privilege that surrounded it ended quite badly. It made me wonder what her life might have been like had she been raised to think about anything other than herself and had she not been in the unfortunate position of being sold off to the neighboring country as a peace offer. I don't know but I think that things might have turned out well for her, say, as a farmer's wife. . .
I think I now understand the reaction of some critics who probably hated it as much as I did when the film premiered. Perhaps the biggest challenge for the viewer, and it was true for me, was to think that it was actually possible to have two silly kids running a country and having all of the other equally silly adults giving them such minimal direction that they basically watched a country fall apart. Honestly, the entire concept was almost too difficult to watch.
I now put on the film when I am looking for something familiar and comforting. There is something very real about her story although her life could not be further from my own. I think back and pity her, not for her excess and extravagance to the point of revulsion, but for the loneliness she must have felt being alone in a country and in a household that did not really want her. Perhaps it's her loneliness that you feel in the entire film that makes it so remarkable. Even in scenes of grandeur, you see it living right on the screen. Long moments of pure and unadulterated loneliness that leave me feeling strangely sad.
I would not MA's life even if it were handed to me on a gold platter. However, I can now say that every single time I watch the film I uncover some other little nugget that Sophia slyly hid on the screen for me to find.
Top reviews from other countries
Nous découvrons alors avec plaisir les passions de cette future reine de France non seulement pour l'art, les costumes, bijoux etc.. mais également pour un jeune officier suédois le comte axel de Fersen qui, séducteur dans l'âme, lui restera toujours fidèle même si la mort les sépare lors du soulèvement du peuple.
C'est un vrai plaisir de voir la reine de France, si humaine, fragile, mère de famille qui n'est pas épargnée par les accidents de la vie (, son mari le roi Louis XVI finira par l'honorer mais au bout de 8 ans, elle perd des enfants en bas âge, elle fait l'objet de raillerie et quolibets de toutes sortes car l'autrichienne est jalousée et mal vue. Sans parler de la fin tragique qui attend la famille royale avec la révolution française, une folie meurtrière que la réalisatrice nous épargne.
En conséquence que du plaisir à voir la vie de Marie Antoinette, par ce film original et plein de rebondissement. Les costumes, décors et personnages sont très attachants, 5 étoiles méritées à mon humble avis.
Incluye lo siguientes idiomas en 5.1:
* Español.
* Inglés.
* Catalán.
Y subtítulos en:
* Español.
* Inglés.
* Portugués.
Su duración es de 118 min. e incluye como contenido extra:
* Cómo se rodó María Antonieta.
* Escenas Eliminadas.
* Tráiler de cine de María Antonieta.
* Tráiler de María Antonieta.
* Las Casas de Luís XVI.
Sobre la película decir que Sofía Coppola dirige una narración electrizante a la par que intimista sobre la turbulenta vida de la mala favorita de la Historia. , María Antonieta. Kristen Dunst da vida a la joven princesa de fatal destino, que se casó con un joven e indiferente rey Luis XVI. Sintiéndose sola en medio de una corte llena de escándalos e intrigas palaciegas, María Antonieta se enfrentó tanto a la realeza como al pueblo, lo que finalmente marcó su destino.
Para mí una película de 10 que me trasporta a la época de María Antonieta pero sin sentirla alejada, mostrándome como pudo sentirse este personaje histórico desnostada durante mucho tiempo e enigmático.
La película fue ganadora en 2006 del Festival de Cine de Cannes y ganadora de un Oscar en 2006 a Mejor Diseño de Vestuario por Milena Canonero.
Consto con un presupuesto de 40.000.000$ y obtuvo una recaudación en taquilla de 60.917.189$.
De plus ce service est d'un très grand confort car livré à domicile, les médias dénoncent le manque de rapports humains, pour ma part les livreurs passent toujours quelques minutes avec moi, si je suis absents, ils savent livrer chez ma mère à 800 mètres.
Donc Merci à Amazon sur tout la ligne.
Et que les détracteurs du site se rassurent j'achète toujours ma baguette chez mon boulanger en deux minutes, mes cigarettes chez mon buraliste en faisant la queue, mon steack chez le boucher rarement aimable etc...
Par ailleurs ma maman est écrivain, sous le pseudonyme de Mathilde Noé - "le Coeur en Béquille" edt° Theles grâce à Amazon, nous avons décuplé les ventes, quand les petits ou grands libraires rechignent à vendre son roman y compris Carrefour à deux pas de chez nous !!! MERCI AMAZON