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This Gun for Hire (Universal Noir Collection)

4.7 4.7 out of 5 stars 686 ratings
IMDb7.4/10.0

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Genre Drama
Format Full Screen, Closed-captioned, Dolby, Black & White, NTSC, Subtitled
Contributor Frank Tuttle, W.R. Burnett, Robert Preston, Veronica Lake, Laird Cregar, Alan Ladd, Albert Maltz
Initial release date 2004-07-06
Language English
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Universal Pictures is an American film studio, owned by Comcast through its wholly owned subsidiary NBCUniversal, and is one of Hollywood's "Big Six" film studios. Its production studios are at 100 Universal City Plaza Drive in Universal City, California. Distribution and other corporate offices are in New York City. Universal Studios is a member of the Motion Picture Association of America (MPAA). Universal was founded in 1912 by the German Carl Laemmle (pronounced "LEM-lee"), Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour.

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Product Description

One of Hollywood's classic hard-boiled thrillers and a favorite of suspense film lovers. The picture marked the first hit pairing of tough guy Alan Ladd, in the role that made him an instant star, and sultry blonde bombshell Veronica Lake. Adapted from a novel by Graham Greene, it's the hard-edged story of love, power and betrayal set in the seamy underworld of the 1940's. Raven (Alan Ladd) is a cold-blooded professional killer who's been double-crossed by his client. Ellen (Veronica Lake) is a beautiful nightclub singer who's spying on her corrupt boss. Lt. Michael Crane (Robert Preston) is a dedicated cop who wants Ellen's love and Raven's capture. The tension mounts and before the case is wrapped up, someone will pay with his life.

Product details

  • Aspect Ratio ‏ : ‎ 1.33:1
  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ NR (Not Rated)
  • Product Dimensions ‏ : ‎ 7.75 x 5.75 x 0.53 inches; 0.01 ounces
  • Item model number ‏ : ‎ 2220228
  • Director ‏ : ‎ Frank Tuttle
  • Media Format ‏ : ‎ Full Screen, Closed-captioned, Dolby, Black & White, NTSC, Subtitled
  • Run time ‏ : ‎ 1 hour and 21 minutes
  • Release date ‏ : ‎ July 6, 2004
  • Actors ‏ : ‎ Veronica Lake, Robert Preston, Alan Ladd, Laird Cregar
  • Subtitles: ‏ : ‎ French, Spanish
  • Language ‏ : ‎ Unqualified, English (Dolby Digital 2.0 Mono)
  • Studio ‏ : ‎ Studio Distribution Services
  • ASIN ‏ : ‎ B00023P4II
  • Writers ‏ : ‎ Albert Maltz, W.R. Burnett
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.7 4.7 out of 5 stars 686 ratings

Customer reviews

4.7 out of 5 stars
4.7 out of 5
686 global ratings
REVIEW OF THE 2019 BLU-RAY + checklist of Alan Ladd and Veronica Lake films
5 Stars
REVIEW OF THE 2019 BLU-RAY + checklist of Alan Ladd and Veronica Lake films
PHOTO 1: Alan Ladd, Veronica Lake and Laird Cregar in ‘This Gun for Hire’PHOTOS 2-5: Alan Ladd and Veronica Lake co-starred in four films:-- 1942: This Gun for Hire [Blu-ray] - reviewed on this page-- 1942: The Glass Key [Blu-ray]-- 1946: The Blue Dahlia [Blu-ray]-- 1948: Saigon - not yet on DVD or Blu-rayPHOTO 6: 1942 newspaper ad: “24 hours in an abandoned shack with a professional killer … a guy with ice where his heart should be.It’s dramatic dynamite … with a new star who’s romantic dynamite.Girls, mark down this name, because you’re going to hear it plenty: Alan Ladd!When he looks at you, a girl just can’t call her heart her own.Take my tip, that Ladd’s going places, so better see him first in This Gun for Hire!”Sorry girls, but the Paramount publicity department was not being straight with you.‘This Gun for Hire’ was not your first chance to see Alan Ladd.Ladd had already appeared in 43 films between 1932 and 1941, usually in small roles, often uncredited.But he became an overnight sensation in 1942 when Paramount cast him as a professional killer in the film noir ‘This Gun for Hire’.Alan Ladd was billed fourth, but stole the film, which caused Paramount to revise their advertising campaign.The film’s star and ostensible hero was Robert Preston - on the left in photo 2, smooching Veronica Lake.[Preston is best remembered today as Prof. Harold Hill in ‘The Music Man’ on Broadway in 1957, filmed in 1962.]Third-billed Laird Cregar’s career was tragically brief - he died of a heart attack, allegedly brought on by crash-dieting, at age thirty-one in 1946, two years after ‘This Gun for Hire’.New York Times review:“One shudders to think of the career which Paramount must have in mind for Alan Ladd, a new actor, after witnessing the young gentleman's debut as a leading player in that studio's ‘This Gun for Hire’.Obviously, they have tagged him to be the toughest monkey loose on the screen.For not since Jimmy Cagney massaged Mae Clarke's face with a grapefruit has a grim desperado gunned his way into cinema ranks with such violence as does Mr. Ladd in this fast and exciting melodrama.”-- Bosley Crowther (May 14, 1942)For a time in the 1940s, Alan Ladd and Veronica Lake were Paramount’s answer to Warner Brothers’ Bogart and Bacall.Veronica Lake was cast as Alan Ladd’s co-star for a practical reason:Veronica Lake was 4’ 11” tall.Alan Ladd was 5' 6¼" tall (according to the IMDB - Internet Movie Data Base).Paramount groomed Ladd for stardom, fine-tuning the characters he was assigned.In each successive film, Alan Ladd’s character became less menacing and more sympathetic:-- in ‘This Gun for Hire’ (1942) he’s a cold-blooded killer (but gets audience sympathy when double-crossed by his boss who is even more despicable).-- in ‘The Glass Key’ (1942) he’s the right-hand man of an unscrupulous but likeable politician.-- in ‘The Blue Dahlia’ (1946) he’s a war hero who is framed for a crime he did not commit.Three film noir classics.But ‘Saigon’ (1948) was a flop.I’ve never seen ‘Saigon’, so I can’t comment. Nice poster though.Paramount (unfairly?) blamed Veronica Lake for the film’s box office failure and dropped her contract.‘This Gun for Hire’ was issued on DVD in 2004 by Universal Home Video with no bonus features.The new Blu-ray from Shout has:-- 4K scan of the original film elements – really beautiful black and white picture.-- Audio Commentary with film historians Alan K. Rode and Steve Mitchell-- Theatrical Trailer-- Still Gallery-- English SDH subtitles
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Top reviews from the United States

Reviewed in the United States on May 1, 2024
The way Alan Ladd and Veronica Lake are dynamite together and the story line is 1st class all the way through the entire movie.You should love it.Buy it!!
Reviewed in the United States on April 8, 2019
NOTE: I have to discuss the setup of the film in order to review it, but say nothing after that about how it plays out. It’s just the first minutes of the film. But if this to you is a SPOILER, don’t read it.

“This Gun For Hire” is a solid noir thriller which made Alan Ladd an instant star and also began his cinema pairing with Veronica Lake. In those days male stars were supposed to be “tall, dark and handsome” and Ladd was 5’6”, blond and somewhat boyish looking but the public took to him in a big way. Lake not only projected a cool and unruffled personality to go with his but was blond herself and 4’ 11”, making Ladd look tall.

It is somewhat amazing that the film made Ladd’s career because the character he plays would usually be one the audience hates. He’s a hitman, an especially cold and efficient one, who without a second thought, kills a secretary who happens to be inconveniently present at a hit. When Gates, the man who hired him, asks him how he feels when he’s doing it, he answers “ I feel fine”. He’s psychotic and scary, but he does love cats (they are his good luck charm). Within the first few minutes of the film he gives some milk to a stray cat that enters through the window of his rented room then slaps the face and rips the dress of the maid who throws the cat out when she enters to clean.

But he has such presence and such a command of the screen that there can be no doubt that he is the star. The script gives his character a background of being orphaned and abused that allows some explanation for his warped character and a situation in which he can somewhat redeem himself (in the eyes of Veronica Lake and thus of the audience). This is in the era of The Code and so no great love can develop between the two, but in the end there is mutual trust. Graham Greene’s novel was optioned by Paramount in the mid thirties with a completely different cast in mind but by the time it was made (in late 1941) everything had changed. In fact, Robert Preston had his name above the title with Veronica Lake and Alan Ladd was given an “And Introducing” spot below Laird Cregar. Preston’s character is a police Lieutenant who basically plays the almost thankless role of the nice boyfriend of Lake’s nightclub singer.

The setup, in San Francisco, has Ladd doing a hit for unctuous, cowardly Willard Gates (Laird Creager), who pays him in marked bills hoping he’ll be shot after he informs the police that the bills were stolen from the Nitro Chemical Company, for which he works. Ladd’s character, Raven, discovers this and vows revenge, the only kind he knows.

Meanwhile Ellen Graham (Lake) auditions for a spot at the Neptune Club in L.A. which happens to be owned by Gates. It’s a clever intro with her doing an act that mixes magic tricks with her singing “Now You See It Now You Don’t”. Of course in true Hollywood style the singing is dubbed (by Martha Mears) and the magic could only be done on screen. Still, it’s a nice way for her to appear. She gets the job only to be taken to meet a senator representing the government who wants her to spy on Gates because they suspect Nitro of treason, selling lethal chemicals to the Japanese. This sets everything in motion.

Through a series of harrowing experiences Ellen and Raven forge a bond based on their mutual dislike of the same man. The film moves swiftly and is atmospherically shot, especially a long sequence in a trainyard. Every actor is good. Laird Cregar is both hateful and pathetic as Gates. It’s a shame he died of a heart attack just two years later as he was as good at comedy as he was as a villain. Tully Marshall, an old actor of the silents, as the wheelchair-bound president of Nitro is evil personified.

There are a few of the kinds of coincidences that usually occur in these kinds of films, but not too many. Lake and Ladd are so good together that it’s not a surprise that they became a team in the eyes of the audience. Unusually for a noir film, Lake is not a femme fatale, but rather a good girl who gets put into a dangerous situation out of patriotism. The wartime plot dates the film somewhat more than if it had been about bribery or theft but that doesn’t keep it from being a great film of its type. It’s my favorite film of the two leads.
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Reviewed in the United States on September 23, 2020
Excellent film noir, notable as the first major role of Alan Ladd (making him a star), showing Veronica Lake at her height, one of the earliest notable film noirs, and I understand one of the first American movies that directly referenced World War II (and unusually, at least for me as far as film noir goes, refereed to the on going war, though a number of films noir I have seen refer to the war in the past tense or star characters who are veterans of the war).

The two main characters are hit man Philip Raven (just called Raven throughout the movie; who wouldn’t, it’s awesome) played by Alan Ladd (who for some reason gets fourth billing) and night club singer (and magician, very cool) Ellen Graham (played by Veronica Lake). Raven is involved in a series of murders and double crosses, retrieving a stolen chemical formula from a blackmailer (and killing a few people in the process), all for Willard Gates (played by Laird Cregar), who hires Raven but then double crosses him.

Gates also hires Ellen to work in his nightclub, with Ellen approached by the federal government afterwards, wanting her help to investigate Gates and his Nitro Chemical Corporation of Los Angeles for suspected treasonous activity. As Raven heads to LA to seek revenge and Ellen goes to, ostensibly for the nightclub job but also to act as a spy for the government and help them investigate Gats and Nitro for treason, their paths cross.

The fourth major character is Ellen’s fiancé, police detective Michael Crane (played by Robert Preston). He is after Raven, though soon his paths cross with not only Raven’s but with Ellen in her adventures, with Ellen having to decide where her loyalties lie.

There was a lot to like about the movie. Raven, though definitely evil, was a surprisingly complex character and had a character arc. There are some fantastic scenes of quite a bit of action, notably in a deserted gasworks and a railyard, both superb settings. The ending was climatic and had a lot of action. Though not a musical, when in two scenes Ellen sings (and performs magic tricks!) those were delightful scenes. If you like trains you get to see those quite a bit in the movie. There are several wonderful scenes showcasing Art Deco architecture and design. There is some good dialogue between Raven and Ellen. Also there are villains aplenty in the movie, not just the ones I listed, with inadvertently Crane also becoming a danger to Ellen.

Not a lot of complaints. I thought Crane, as a character, as one critic described, was kind of colorless and I didn’t see the attraction he held for Ellen. The ending may be a tiny bit too neatly wrapped up but I liked it generally. When Crane talked a lot about Ellen marrying him and life with him in one scene early in the film, I thought he was a bit too aggressive and pushy (though I admit this is a 2020 mindset here, so who knows) and seemed to lean too heavily into the idea of her staying home and cooking (when she was a sought after and successful singer and magician, very much a woman with her own career), but again, that’s my opinion; these are short scenes in any event and make up a small portion of the dialogue.

Overall a fantastic film noir.
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Top reviews from other countries

spiderfriend
5.0 out of 5 stars Surprisingly unconventional and bleak.
Reviewed in Canada on March 10, 2022
For any noir fan this is must own cinema, but it works for the merely interested just as well.
astrid bauer
5.0 out of 5 stars A Hired Gun Called Raven
Reviewed in Germany on October 19, 2011
Alan Ladd, his blond hair dyed black, delivers a fine performance in this early noir. You feel that he puts his all into his performance. I, for my part, cannot warm to one technique he uses to portray Raven but you can argue that Ladd frequently talks with his mouth half-closed to convey Raven's unwillingness to communicate etc. BTW, when Raven tentatively opens up to Ellen Graham (played by Veronica Lake), he talks in a more relaxed manner.
"This Gun for Hire" is a memorable film because there is something offbeat about the film. The film has an unusual 'hero' - a handsome, cat-loving hitman, who is likeable to a certain extent (despite the despicable things he does). The film's 'heroine' Ellen Graham is also a bit of an unusual character. She is a nightclub magician, a singer, a government spy and a "copper's girl". Her boyfriend, btw, is such a bore that you can't help wondering why she dates him.
Veronica Lake has two musical numbers. The second number is pretty memorable. Lake, clad in a strange costume, sings a song, swinging a fishing rod.
Strange is certainly the best term to describe the minor character Mr. Brewster. Brewster is a haggard-looking old wheelchair-bound man, who likes to nibble at cookies. And he is also a crooked industrialist. Mr. Brewster exudes an eerie presence and it is noteworthy that he resides in an office, which resembles a mausoleum.
The film's plot is not really complicated. A hitman called Raven finds out that he's been double-crossed by his employer, a man called Willard Gates (well played by Laird Cregar). Raven is not the kind of man you should double-cross. He decides to revenge himself on Gates and Gates's boss no matter what it costs. Raven is not the kind of guy who is afraid of 'going to hell'.
On a train Raven meets Ellen Graham, who has been hired by Gates to perform in his nightclub. As the film goes along, Raven saves her life, takes her hostage etc.
It turns out that both Raven and Ellen take an interest in Gates, albeit for different reasons. Ellen obviously likes Raven, who tentatively opens up to her. But "This Gun for Hire" is not a romantic film. And Raven is hell-bent on revenging himself.
Apart from some corny dialogue between Ellen and her (boring) boyfriend and the superfluous last scene and last line, "This Gun for Hire" is a really interesting film.
A-
Kentspur
5.0 out of 5 stars Ladd is just terrific in this overlooked noir
Reviewed in the United Kingdom on September 7, 2009
This Gun for Hire is famous as the film that launched Alan Ladd's career, but - in the extensive literature covering the film noir era - is not considered one of the top notch examples of the genre. I think this is unfair.

Unlike many more famous noirs (honourable exceptions here are The Killers and Double Indemnity), This Gun for Hire does not have an utterly incomprehensible plot, best ignored in favour of witty characters and effective lighting. Alan Ladd - as killer Philip Raven - is simply after revenge on the people who have double crossed him and, as such, he is reminiscent of Lee Marvin in the astonishing Point Blank. He is implacable and remorseless - unsmiling and laconic. In short, he's great. Star power pulses out of every frame. The opening sequence is rightly acclaimed and - second to The Killers - I think it is the best opening in noir. Raven is utterly unsympathetic - he slaps the maid around - but controlled and compelling. (And this thing was made in 1942!)

The only clunking piece of plot is when Raven happens to bump into Veronica lake on a train to LA as she is already involved with the men who have double crossed the killer. Lake was a strange actress and this is a strange character - dressed in a 'fishing' outfit for one of the two songs (she's a cabaret singer) that is so fetishist, it has to be seen to be believed - but she 'works' in this film and not just because she was short enough to pley with Ladd without him needing a box to stand on. Laird Cregar, as the baddie Gates - is astonishing. He's twenty-six. Watch the tilm and try and convince yourself of that. It's just another point of interest in this remarkable film.

Ultimately the reason this film is still available on DVD, nearly seventy years after it was made, is Alan Ladd's portrayal of Raven. It is one of the great film portrayals and was rightly 'homaged' by Alain Delon in Le Samourai. This film is not expensive, so buy it. It bears repeated viewing.
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B. Clampet
5.0 out of 5 stars A great upgrade from the old DVD.
Reviewed in Canada on May 8, 2020
Universal did a wonderful job on the 4K restoration of this classic Alan Ladd Paramount Picture. His first starring role. Great contrast and black levels and hardly a scratch on the whole picture.
Xenophon12
5.0 out of 5 stars A magnificent movie at last on a magnificent reproduction
Reviewed in the United Kingdom on October 14, 2019
Hi ! Before this one, I bought and have seen 3 DVDs of this old movie : French, English, US. As expected, the change to the Blu-ray is a real improvement on all the former issues. As a Frenchman, I am not glad with no French audio, nor French subtitles, but it does not really matters : now, I know the story very well, and I enjoy a lot of little things not seen at first glance. And the US subtitles (yellow) are easy to read without blotting the black and white pictures : an other improvement, and useful. The acting of young Alan Ladd is fine, and his character, for a killer, becomes more and more sympathetic. The little sexy (authentic/genuine) blond girl, here, is beautiful almost all along the movie, and - at last - the Blu-ray, on a large OLED TV, allows to see her magnificent eyes (even in B/W !), her fine acting, even in the dark scenes in the factory. And she is also emotional with her voice. Here, Robert Preston is not given any chance to be the first actor to be remembered, but he does the job. The great characters are Ellen Graham and Raven. The Bad Guy (Mr Gates) is fine in his way, as a liar, a coward and so on ; the Senator, in a short sequence is credible, and the few words with Veronica in the car sounds right. But, maybe, my first choice between all the scenes will be to the Raven/Ellen moments in the train : Taken ? … (the place), and so on. So, hurry up ! Take it, the Blu-ray, on the shelves ! A new Discovery.
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