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This Gun for Hire (Universal Noir Collection)
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Additional DVD options | Edition | Discs | Price | New from | Used from |
DVD
February 12, 2007 "Please retry" | — | 1 |
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| — | $10.20 |
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Genre | Drama |
Format | Full Screen, Closed-captioned, Dolby, Black & White, NTSC, Subtitled |
Contributor | Frank Tuttle, W.R. Burnett, Robert Preston, Veronica Lake, Laird Cregar, Alan Ladd, Albert Maltz |
Initial release date | 2004-07-06 |
Language | English |
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Universal Pictures is an American film studio, owned by Comcast through its wholly owned subsidiary NBCUniversal, and is one of Hollywood's "Big Six" film studios. Its production studios are at 100 Universal City Plaza Drive in Universal City, California. Distribution and other corporate offices are in New York City. Universal Studios is a member of the Motion Picture Association of America (MPAA). Universal was founded in 1912 by the German Carl Laemmle (pronounced "LEM-lee"), Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane, and Jules Brulatour.
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Product Description
One of Hollywood's classic hard-boiled thrillers and a favorite of suspense film lovers. The picture marked the first hit pairing of tough guy Alan Ladd, in the role that made him an instant star, and sultry blonde bombshell Veronica Lake. Adapted from a novel by Graham Greene, it's the hard-edged story of love, power and betrayal set in the seamy underworld of the 1940's. Raven (Alan Ladd) is a cold-blooded professional killer who's been double-crossed by his client. Ellen (Veronica Lake) is a beautiful nightclub singer who's spying on her corrupt boss. Lt. Michael Crane (Robert Preston) is a dedicated cop who wants Ellen's love and Raven's capture. The tension mounts and before the case is wrapped up, someone will pay with his life.
Product details
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : NR (Not Rated)
- Product Dimensions : 7.75 x 5.75 x 0.53 inches; 0.01 ounces
- Item model number : 2220228
- Director : Frank Tuttle
- Media Format : Full Screen, Closed-captioned, Dolby, Black & White, NTSC, Subtitled
- Run time : 1 hour and 21 minutes
- Release date : July 6, 2004
- Actors : Veronica Lake, Robert Preston, Alan Ladd, Laird Cregar
- Subtitles: : French, Spanish
- Language : Unqualified, English (Dolby Digital 2.0 Mono)
- Studio : Studio Distribution Services
- ASIN : B00023P4II
- Writers : Albert Maltz, W.R. Burnett
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #18,608 in Movies & TV (See Top 100 in Movies & TV)
- #864 in Mystery & Thrillers (Movies & TV)
- #3,198 in Drama DVDs
- Customer Reviews:
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“This Gun For Hire” is a solid noir thriller which made Alan Ladd an instant star and also began his cinema pairing with Veronica Lake. In those days male stars were supposed to be “tall, dark and handsome” and Ladd was 5’6”, blond and somewhat boyish looking but the public took to him in a big way. Lake not only projected a cool and unruffled personality to go with his but was blond herself and 4’ 11”, making Ladd look tall.
It is somewhat amazing that the film made Ladd’s career because the character he plays would usually be one the audience hates. He’s a hitman, an especially cold and efficient one, who without a second thought, kills a secretary who happens to be inconveniently present at a hit. When Gates, the man who hired him, asks him how he feels when he’s doing it, he answers “ I feel fine”. He’s psychotic and scary, but he does love cats (they are his good luck charm). Within the first few minutes of the film he gives some milk to a stray cat that enters through the window of his rented room then slaps the face and rips the dress of the maid who throws the cat out when she enters to clean.
But he has such presence and such a command of the screen that there can be no doubt that he is the star. The script gives his character a background of being orphaned and abused that allows some explanation for his warped character and a situation in which he can somewhat redeem himself (in the eyes of Veronica Lake and thus of the audience). This is in the era of The Code and so no great love can develop between the two, but in the end there is mutual trust. Graham Greene’s novel was optioned by Paramount in the mid thirties with a completely different cast in mind but by the time it was made (in late 1941) everything had changed. In fact, Robert Preston had his name above the title with Veronica Lake and Alan Ladd was given an “And Introducing” spot below Laird Cregar. Preston’s character is a police Lieutenant who basically plays the almost thankless role of the nice boyfriend of Lake’s nightclub singer.
The setup, in San Francisco, has Ladd doing a hit for unctuous, cowardly Willard Gates (Laird Creager), who pays him in marked bills hoping he’ll be shot after he informs the police that the bills were stolen from the Nitro Chemical Company, for which he works. Ladd’s character, Raven, discovers this and vows revenge, the only kind he knows.
Meanwhile Ellen Graham (Lake) auditions for a spot at the Neptune Club in L.A. which happens to be owned by Gates. It’s a clever intro with her doing an act that mixes magic tricks with her singing “Now You See It Now You Don’t”. Of course in true Hollywood style the singing is dubbed (by Martha Mears) and the magic could only be done on screen. Still, it’s a nice way for her to appear. She gets the job only to be taken to meet a senator representing the government who wants her to spy on Gates because they suspect Nitro of treason, selling lethal chemicals to the Japanese. This sets everything in motion.
Through a series of harrowing experiences Ellen and Raven forge a bond based on their mutual dislike of the same man. The film moves swiftly and is atmospherically shot, especially a long sequence in a trainyard. Every actor is good. Laird Cregar is both hateful and pathetic as Gates. It’s a shame he died of a heart attack just two years later as he was as good at comedy as he was as a villain. Tully Marshall, an old actor of the silents, as the wheelchair-bound president of Nitro is evil personified.
There are a few of the kinds of coincidences that usually occur in these kinds of films, but not too many. Lake and Ladd are so good together that it’s not a surprise that they became a team in the eyes of the audience. Unusually for a noir film, Lake is not a femme fatale, but rather a good girl who gets put into a dangerous situation out of patriotism. The wartime plot dates the film somewhat more than if it had been about bribery or theft but that doesn’t keep it from being a great film of its type. It’s my favorite film of the two leads.
The two main characters are hit man Philip Raven (just called Raven throughout the movie; who wouldn’t, it’s awesome) played by Alan Ladd (who for some reason gets fourth billing) and night club singer (and magician, very cool) Ellen Graham (played by Veronica Lake). Raven is involved in a series of murders and double crosses, retrieving a stolen chemical formula from a blackmailer (and killing a few people in the process), all for Willard Gates (played by Laird Cregar), who hires Raven but then double crosses him.
Gates also hires Ellen to work in his nightclub, with Ellen approached by the federal government afterwards, wanting her help to investigate Gates and his Nitro Chemical Corporation of Los Angeles for suspected treasonous activity. As Raven heads to LA to seek revenge and Ellen goes to, ostensibly for the nightclub job but also to act as a spy for the government and help them investigate Gats and Nitro for treason, their paths cross.
The fourth major character is Ellen’s fiancé, police detective Michael Crane (played by Robert Preston). He is after Raven, though soon his paths cross with not only Raven’s but with Ellen in her adventures, with Ellen having to decide where her loyalties lie.
There was a lot to like about the movie. Raven, though definitely evil, was a surprisingly complex character and had a character arc. There are some fantastic scenes of quite a bit of action, notably in a deserted gasworks and a railyard, both superb settings. The ending was climatic and had a lot of action. Though not a musical, when in two scenes Ellen sings (and performs magic tricks!) those were delightful scenes. If you like trains you get to see those quite a bit in the movie. There are several wonderful scenes showcasing Art Deco architecture and design. There is some good dialogue between Raven and Ellen. Also there are villains aplenty in the movie, not just the ones I listed, with inadvertently Crane also becoming a danger to Ellen.
Not a lot of complaints. I thought Crane, as a character, as one critic described, was kind of colorless and I didn’t see the attraction he held for Ellen. The ending may be a tiny bit too neatly wrapped up but I liked it generally. When Crane talked a lot about Ellen marrying him and life with him in one scene early in the film, I thought he was a bit too aggressive and pushy (though I admit this is a 2020 mindset here, so who knows) and seemed to lean too heavily into the idea of her staying home and cooking (when she was a sought after and successful singer and magician, very much a woman with her own career), but again, that’s my opinion; these are short scenes in any event and make up a small portion of the dialogue.
Overall a fantastic film noir.
Top reviews from other countries
"This Gun for Hire" is a memorable film because there is something offbeat about the film. The film has an unusual 'hero' - a handsome, cat-loving hitman, who is likeable to a certain extent (despite the despicable things he does). The film's 'heroine' Ellen Graham is also a bit of an unusual character. She is a nightclub magician, a singer, a government spy and a "copper's girl". Her boyfriend, btw, is such a bore that you can't help wondering why she dates him.
Veronica Lake has two musical numbers. The second number is pretty memorable. Lake, clad in a strange costume, sings a song, swinging a fishing rod.
Strange is certainly the best term to describe the minor character Mr. Brewster. Brewster is a haggard-looking old wheelchair-bound man, who likes to nibble at cookies. And he is also a crooked industrialist. Mr. Brewster exudes an eerie presence and it is noteworthy that he resides in an office, which resembles a mausoleum.
The film's plot is not really complicated. A hitman called Raven finds out that he's been double-crossed by his employer, a man called Willard Gates (well played by Laird Cregar). Raven is not the kind of man you should double-cross. He decides to revenge himself on Gates and Gates's boss no matter what it costs. Raven is not the kind of guy who is afraid of 'going to hell'.
On a train Raven meets Ellen Graham, who has been hired by Gates to perform in his nightclub. As the film goes along, Raven saves her life, takes her hostage etc.
It turns out that both Raven and Ellen take an interest in Gates, albeit for different reasons. Ellen obviously likes Raven, who tentatively opens up to her. But "This Gun for Hire" is not a romantic film. And Raven is hell-bent on revenging himself.
Apart from some corny dialogue between Ellen and her (boring) boyfriend and the superfluous last scene and last line, "This Gun for Hire" is a really interesting film.
A-
Unlike many more famous noirs (honourable exceptions here are The Killers and Double Indemnity), This Gun for Hire does not have an utterly incomprehensible plot, best ignored in favour of witty characters and effective lighting. Alan Ladd - as killer Philip Raven - is simply after revenge on the people who have double crossed him and, as such, he is reminiscent of Lee Marvin in the astonishing Point Blank. He is implacable and remorseless - unsmiling and laconic. In short, he's great. Star power pulses out of every frame. The opening sequence is rightly acclaimed and - second to The Killers - I think it is the best opening in noir. Raven is utterly unsympathetic - he slaps the maid around - but controlled and compelling. (And this thing was made in 1942!)
The only clunking piece of plot is when Raven happens to bump into Veronica lake on a train to LA as she is already involved with the men who have double crossed the killer. Lake was a strange actress and this is a strange character - dressed in a 'fishing' outfit for one of the two songs (she's a cabaret singer) that is so fetishist, it has to be seen to be believed - but she 'works' in this film and not just because she was short enough to pley with Ladd without him needing a box to stand on. Laird Cregar, as the baddie Gates - is astonishing. He's twenty-six. Watch the tilm and try and convince yourself of that. It's just another point of interest in this remarkable film.
Ultimately the reason this film is still available on DVD, nearly seventy years after it was made, is Alan Ladd's portrayal of Raven. It is one of the great film portrayals and was rightly 'homaged' by Alain Delon in Le Samourai. This film is not expensive, so buy it. It bears repeated viewing.